Anchor Music • Fly Me To The Moon SATB
Por um escritor misterioso
Descrição
You've never heard Fly Me To The Moon like this! Take this Space-Age jazz standard, mix in a funk groove and then overlay a Lin-Manuel Miranda-esque rap or two, and you've got a recipe for your vocal group's new favorite chart. SATB with limited divisi, the arrangement is fun to sing with nice harmonies and ample room for improvisation. Arranged by Jed Scott, demo sung by Shades of Blue from Grand Rapids Community College (MI). Range: Sop up to E5, alto down to B3. Tenor up to F4, Bass down to C3 (a cappella ending has an optional low Eb2) Provided: vocal score, electric piano part, electric bass part, drum part, full score.
You've never heard Fly Me To The Moon like this! Take this Space-Age jazz standard, mix in a funk groove and then overlay a Lin-Manuel Miranda-esque rap or two, and you've got a recipe for your vocal group's new favorite chart. SATB with limited divisi, the arrangement is fun to sing with nice harmonies and ample room for improvisation. Arranged by Jed Scott, demo sung by Shades of Blue from Grand Rapids Community College (MI). Range: Sop up to E5, alto down to B3. Tenor up to F4, Bass down to C3 (a cappella ending has an optional low Eb2) Provided: vocal score, electric piano part, electric bass part, drum part, full score.
You've never heard Fly Me To The Moon like this! Take this Space-Age jazz standard, mix in a funk groove and then overlay a Lin-Manuel Miranda-esque rap or two, and you've got a recipe for your vocal group's new favorite chart. SATB with limited divisi, the arrangement is fun to sing with nice harmonies and ample room for improvisation. Arranged by Jed Scott, demo sung by Shades of Blue from Grand Rapids Community College (MI). Range: Sop up to E5, alto down to B3. Tenor up to F4, Bass down to C3 (a cappella ending has an optional low Eb2) Provided: vocal score, electric piano part, electric bass part, drum part, full score.
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“Fly Me to the Moon” was originally titled “In Other Words”. Written in 1954 by Bart Howard the very first recording was by Kaye Ballard in 1954.
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